The celebrated Mexican singer-songwriter chats with SFCV ahead of her concerts with Gustavo Dudamel and the LA Phil.
Known for his amiable, collaborative manner on the podium, Robertson is a favorite colleague of composers and orchestral players worldwide.
The 31-year-old, who’s performed with everyone from Gustavo Dudamel to Taylor Swift, chats about his career path and his passion for new music.
The festival premieres excerpts from Karim Al-Zand’s opera in progress, inspired by the true history of these tales.
In his “Carte Blanche” recital for Music@Menlo, Bavouzet will play the composer’s complete solo piano works, all in a single afternoon.
The violist and violinist, longtime members of the ensemble who are both retiring this month, reflect on 40-plus years of championing new music.
Opera Parallèle stages Spears’s Fellow Travelers this month, while Santa Fe Opera is set for the world premiere of The Righteous later this summer.
In the director’s latest opus, a vintage W.E.B. Du Bois story and a classic Baroque opera collide. Here’s why they go together.
With “Shifting Ground,” a commissioning and recording project, Kenney is approaching Baroque music as the start of something contemporary.
Faliks talks about her memoir, Weight in the Fingertips, and her latest album, Manuscripts Don’t Burn — the subjects of her current tour.
