The star bass will be singing two major roles at SF Opera this year, including Sarastro in this summer’s Magic Flute.
The conductor concludes his tenure with SFSYO this month and reflects on his time leading these skilled young musicians.
Glennie has paved a remarkable path — as a soloist, as a deaf performer, and as an advocate for connection above all else.
Pratt is spending more time in the Bay Area, teaching at SFCM and soloing with ensembles like New Century Chamber Orchestra.
The South Korean conductor chats with SFCV about success, perseverance, and knowing when to take a chance.
Deeply steeped in his company’s legacy, the new artistic director shares some of his sensibility as DTH tours this spring.
Between many projects, drummer Antonio Sánchez tours his famous solo film score on its 10th anniversary.
With an upcoming premiere at Los Angeles Chamber Orchestra, Skye continues the multicultural musical exploration he’s become known for.
The pioneering conductor chats with SFCV ahead of her long-overdue debut at the Metropolitan Opera this spring.
How can technology impact artists in a positive way? Reiley shares some of her ideas in an upcoming SoundBox program.
