Opera Parallèle stages Spears’s Fellow Travelers this month, while Santa Fe Opera is set for the world premiere of The Righteous later this summer.
In the director’s latest opus, a vintage W.E.B. Du Bois story and a classic Baroque opera collide. Here’s why they go together.
With “Shifting Ground,” a commissioning and recording project, Kenney is approaching Baroque music as the start of something contemporary.
Faliks talks about her memoir, Weight in the Fingertips, and her latest album, Manuscripts Don’t Burn — the subjects of her current tour.
The star bass will be singing two major roles at SF Opera this year, including Sarastro in this summer’s Magic Flute.
The conductor concludes his tenure with SFSYO this month and reflects on his time leading these skilled young musicians.
Glennie has paved a remarkable path — as a soloist, as a deaf performer, and as an advocate for connection above all else.
Pratt is spending more time in the Bay Area, teaching at SFCM and soloing with ensembles like New Century Chamber Orchestra.
The South Korean conductor chats with SFCV about success, perseverance, and knowing when to take a chance.
Deeply steeped in his company’s legacy, the new artistic director shares some of his sensibility as DTH tours this spring.
