Cheng is one of the great explorers of new music, pushing herself beyond her comfort zone and finding delight in the unexpected.
As he gets ready to play Lohengrin in San Francisco, O’Neill talks about his life as one of the leading Wagner tenors of his generation.
Nothing slows Wilson down, and he continues a long-term relationship with Four Seasons Arts in an upcoming recital.
The star violinist and entrepreneur arrives in Walnut Creek to play Wynton Marsalis with the California Symphony.
Not a fan of social media, intrigued by the novels of E.T.A. Hoffmann, Borrow is charting his own path and playing music he loves.
The mezzo-soprano is singing in back-to-back productions of Don Giovanni and The Barber of Seville this fall.
Master of electronica though he is, the composer of The (R)evolution of Steve Jobs links his ideals to 19th-century programmatic music.
The singer has a commanding voice, but she continues to train and extend it, enjoying all of the practice and rehearsal along the way.
The Romanian singer, making his SF Opera debut in Il trovatore, has been well taught but also has the right tools for the trade.
The Met Opera trombonist has a bird’s-eye view of the industry from teaching at Juilliard and Santa Barbara’s Music Academy.
