Michael Zwiebach

Michael Zwiebach is the senior editor/content manager for SFCV. He assigns all articles and content, manages the writing staff, and does editing. A member of SFCV from the beginning, Michael holds a Ph.D. in music history from the University of California, Berkeley.

Articles By This Author

Michael Zwiebach - June 20, 2013

Beach days are here, even in Northern California. And with it arrives the first of our beach playlists.

Michael Zwiebach - June 13, 2013
Richard Strauss
Richard Strauss

Richard Strauss loved big orchestras.

Michael Zwiebach - June 13, 2013

When the light grows longer in summer, and it becomes harder for kids (and adults) to go to sleep on time, a little quiet music can do the trick.

Michael Zwiebach - June 12, 2013

By good luck, SFCV was present at the rehearsal of a pivotal scene in Act 1 of The Gospel of Mary Magdalene. Here's sharing that fly-on-the-wall experience.

Michael Zwiebach - June 11, 2013

New music has never been a problem for Nathan Gunn. In this interview, he talks about the challenge of playing Jesus in Mark Adamo’s opera The Gospel of Mary Magdalene.

Michael Zwiebach - June 6, 2013

June 8, Saturday, Freight & Salvage Coffeehouse, Berkeley 11:00 a.m.: Singer/Songwriter José-Luis Orozco.

Michael Zwiebach - June 6, 2013

Mark Adamo has been extraordinarily successful at writing operas. Adamo takes time with lyrical moments, and he is a superb librettist. The reasons for this became clear as he talked to SFCV about his most recent operatic creation.

Michael Zwiebach - June 6, 2013
Robert Schumann
Robert Schumann

The birthday cake on June 8 is for Robert Schu

Michael Zwiebach - June 6, 2013

From Hans Christian Andersen to the Grimm brothers, 19th-century Europeans were vastly interested in fairytales. For this playlist we turn to pieces that are directly inspired by folk tales.

Michael Zwiebach - June 3, 2013

The latest concert of the young, well-received duo ZOFO features music from several space-age composers and, of course, excursions to Gustav Holst’s The Planets