Michael Zwiebach

There are dozens of ways to organize musical meter, but only some of them are common in Western classical styles. This week's Playlist samples some of the uncommon ways of organizing rhythm.

Eos Ensemble, made up of members of the San Francisco Opera and Ballet Orchestras, celebrates their 10th anniversary with a Beethoven perennial, the Septet and Stravinsky’s laconic, darkly humorous Soldier’s Tale.

Hot on the heels of the recent exhibition of California-inspired sheet music, comes a fun and fascinating concert by San Francisco Bach Choir of those songs.

It has become a tradition for Chamber Music San Francisco to offer the Brandenburg Concertos on Mother’s Day weekend. 

For its final regular season concert, American Bach Soloists will present Handel’s dramatic cantata Apollo e Dafne (1709-1710). 

Alasdair Neale and the Marin Symphony have put together a great Debussy/Ravel concert, ending with Debussy’s marvelous sea symphony, La mer. 

It doesn’t exactly take insider knowledge to proclaim that the San Francisco Ballet’s Cinderella — with choreography by Christopher Wheeldon, scenery and costumes by Julian Crouch (who designed Broadway’s The Addams Family among other things), and puppetry by renowned master Basil Twist, not to mention Prokofiev’s music — is likely to be a big hit. 

It’s almost essential to see this production of Little Women at the S.F. Conservatory of Music for anyone planning on seeing the composer/librettist’s latest opus, The Gospel of Mary Magdalene, at the S.F. Opera in June.