Michael Zwiebach

Michael Zwiebach is the senior editor/content manager for SFCV. He assigns all articles and content, manages the writing staff, and does editing. A member of SFCV from the beginning, Michael holds a Ph.D. in music history from the University of California, Berkeley.

Articles By This Author

Michael Zwiebach - July 19, 2013

The Cabrillo Festival opens with its usual bang, behind the powerhouse Christopher Rouse whose vibrant, propulsive (and loud) music is made for opening festivals.

Michael Zwiebach - July 19, 2013

George Cleve’s Midsummer Mozart festival will be graced by violinist Mayuko Kamio in its second concert set.

Michael Zwiebach - July 18, 2013

Teddy Abrams, 26, is an established musician with a lot of good sense about what being a musician means. Here he talks about the challenges of a career in an interview with SFCV.

Michael Zwiebach - July 18, 2013

Here, subject to correction and amplification by any 10- to 40-year-old with expertise, is a set of music to some of the most popular video games ever.

Michael Zwiebach - July 16, 2013

It only took a few days for the American Bach Soloists to sell out its festival production of Heinrich Biber’s Missa Salisburgensis. For the lucky few who saw it, many of them new to ABS, it was massively entertaining.

Michael Zwiebach - July 11, 2013

Sometimes it’s good to venture out to the boundaries, find out what’s going on on the wild side of music. The annual Outsound Festival of experimental and improvisational music is as good a time as any to do this exploration. 

Michael Zwiebach - July 11, 2013

A day after their appearance at the America’s Cup stage, the San Francisco Symphony brings some of the same repertoire to a completely free concert in Dolores Park. 

Michael Zwiebach - July 11, 2013

Amid all the fabulous concerts that are part of the Music@Menlo 2013 festival, “Through Bach”, don’t overlook this one, in which Soovin Kim will cut a swath through four centuries of violin repertoire in one astonishing program.

Michael Zwiebach - July 11, 2013

The Turn of the Screw is one of Benjamin Britten’s tautest, most gripping operas. And, unlike much of the repertoire that the local, small-budget companies take on, this chamber opera is conceived on a scale that emphasizes the virtues of West Edge Opera.