Michael Zwiebach

Michael Zwiebach is the senior editor/content manager for SFCV. He assigns all articles and content, manages the writing staff, and does editing. A member of SFCV from the beginning, Michael holds a Ph.D. in music history from the University of California, Berkeley.

Articles By This Author

Michael Zwiebach - December 5, 2013
Jean Sibelius
Jean Sibelius

On Sunday, Finland will celebrate the 148th anniversary of

Michael Zwiebach - December 3, 2013

In this season when classical music is part of popular tradition, there’s a Messiah round every corner, and you can’t swing a dead cat without hitting a Nutcracker dancer. So here’s your guide to the holiday concert season, nutcrackers, carols, and all.

Michael Zwiebach - November 21, 2013

If getting to know Benjamin Britten's music is on your to-do list, you can begin with this playlist of pieces from his most celebrated works as well as some lesser-known music.

Michael Zwiebach - November 21, 2013
Benjamin Britten
Benjamin Britten

Today marks the 100th anniversary of Benj

Michael Zwiebach - November 7, 2013

The space age has inspired many musicians to write music inspired by our efforts to understand our solar system and universe. Here's to inspiration from the stars.

Michael Zwiebach - October 31, 2013
Alexander Borodin
Alexander Borodin

A lot of great musicians are math/science oriented, so it shouldn’t surprise you that there are a few composers, like t

Michael Zwiebach - October 24, 2013

There is so much scary, spooky music out there, Halloween is practically a classical music holiday. This is just a beginning sampler ranging from ghost stories to haunted house staples. Have fun.

Michael Zwiebach - October 24, 2013
Georges Bizet
Georges Bizet

Some composers are famous for just one piece of music.

Michael Zwiebach - October 17, 2013

This playlist is dedicated to that effect, which anybody who has ridden through that part of the country has felt.

Michael Zwiebach - October 17, 2013

Charles Ives was a terrific young musician, son of a bandleader, who went to Yale and studied composition with the highly regarded Horatio Parker. But he had wild musical ideas in his head and his Yankee practicality discouraged him from trying to push those ideas through a conservative musical establishment.