The performance had all the pageantry one would expect from the classic tale, but little choreography.
Fine work from the company isn’t enough to bring Shakespeare’s tragedy to life.
The company, having weathered a financial emergency, emerges with a new name and a trio of imaginative pieces focusing on technology.
The dancers, costumes and sets dazzle as the performance starts its 11-day run.
Choreographer K.T. Nelson’s piece Dead Reckoning is a delight, while the troupe’s work based on Ai Weiwei looks confined outside of Alcatraz.
The ever-cutting edge company has a ball with new works by Ekman, Caniparoli, Welch, and Possokhov.
Two masterful evocations of human togetherness shared the bill in S.F. Ballet's latest program.
The Ballet's third repertory program had a premiere from a 24-year-old, among a set of varied, beautifully danced works.
A practically perfect Fancy Free, highlighted the company's repertory season opener.
Only months after retiring from the New York City Ballet at 47, the famous principal ballerina performs new works by four male choreographers who also dance with her on stage.
