The company presented Giselle as choreographed by Alicia Alonso, founder of the Cuban National Ballet.
The choreographer brought everything from Bach to jazz to UC Berkeley’s Zellerbach Hall.
Despite some familiar touches in its performance of Umusuna (Memories Before History), the Butoh dance troupe Sankai Juku remains surprising.
The Mariinsky dancers make the most of Prokofiev’s ballet, despite a few interpretive head-scratchers.
The resident choreographer of Smuin Ballet premieres a confident, beautifully realized work in an evening of pleasurable surprises.
The festival brings 300 Bay Area dancers and musicians representing a wide array of cultures to the Palace of the Fine Arts.
The performance had all the pageantry one would expect from the classic tale, but little choreography.
Fine work from the company isn’t enough to bring Shakespeare’s tragedy to life.
The company, having weathered a financial emergency, emerges with a new name and a trio of imaginative pieces focusing on technology.
The dancers, costumes and sets dazzle as the performance starts its 11-day run.
