Great company seeks great choreographer. The Ailey company won’t disappoint in its repertory items, which is reason enough to see them.
Brenda Way, KT Nelson, and Kimi Okada’s Oberlin Dance Collective is still going strong at 45.
Yuri Possokhov creates a ballet that bathes in wonderful artifacts of the Sixties.
A true story of a 19-year-old resisting the Nazis is the latest, powerful addition to Bill T. Jones’ dances exploring racism and social injustice.
The production, choreographed by the artistic director in 2009, returns to the War Memorial Opera House after a six-year absence.
The company showed plenty of confidence in its first program after returning from a tour of Spain.
Liam Scarlett’s latest ballet goes exuberantly “street,” and Mark Morris’ “Drink to Me Only ...” makes a welcome return.
William Forsythe’s 1999 ballet, Pas/Parts, gets a makeover for its North American premiere.
The Nutcracker, in Helgi Thomasson’s 2004 production, casts a holiday glow.
The singer takes center stage with the company for the world premiere of The Propelled Heart.
