Glennie has paved a remarkable path — as a soloist, as a deaf performer, and as an advocate for connection above all else.
The South Korean conductor chats with SFCV about success, perseverance, and knowing when to take a chance.
The composer’s rarely performed Credo shares a concert with works by J.S. Bach and a premiere by Zanaida Stewart Robles.
A quirky contemporary double bill from Opera Parallèle serves up both laughs and emotionally powerful moments.
As Flora, mezzo-soprano Sarah Saturnino, one of the company’s young artists, brings her background as an intimacy director to the production.
The pioneering conductor chats with SFCV ahead of her long-overdue debut at the Metropolitan Opera this spring.
Laura Karpman’s Balls, about the famous 1973 tennis match, is one half of an upcoming sports-themed double bill from Opera Parallèle.
Whether it’s on tour with the SF Symphony or in residence with the Berlin Phil, Batiashvili knows she can live in the music.
The vocally demanding solo roles of the composer’s only surviving oratorio can’t daunt these well-prepared singers.
The flutist and singer is mesmerizing as she presents her second album live at Cal Performances.
