Lisa Mezzacappa and Beth Lisick’s The Electronic Lover captures the world of emotions that can exist in the chat room.
Irene Young was instrumental in documenting an artistic moment, but her work shouldn’t be restricted to a single time or place.
Beth Morrison Projects commissioned 14 composers to work on this operatic setting of Marie Howe’s book of poems about womanhood.
Kate Soper’s “philosophy-opera” gets an outstanding production from director James Darrah and Long Beach Opera.
The company has created outlets and events to help people deal with the emotions of this opera about a school shooting.
The composer and pianist’s great-great-great-granddaughter, Sheila Hayman, uncovers family history in a new documentary.
Faliks talks about her memoir, Weight in the Fingertips, and her latest album, Manuscripts Don’t Burn — the subjects of her current tour.
Gemma New leads a standout performance that sees Pablo Ferrández soloing in Edward Elgar’s Cello Concerto.
The new executive, who comes to Los Angeles from the Dallas Symphony, ticks all the boxes.
Ryan Bancroft will lead the SF Symphony in Alaraph, Chin’s new piece inspired by the phenomenon of heartbeat stars.
