San Francisco

At the Segerstrom Center, American Ballet Theatre mounts the U.S. premiere of Christopher Wheeldon’s enchanting work.

Though the competition is formidable, Willis-Sørensen stands up to the greatest sopranos who have interpreted this song cycle.

The great trumpeter and his E-Collective group finally play a concert that was scheduled for three years ago.

The annual showcase of excerpts from operatic works-in-progress confirms the future is bright for today’s composers and librettists.

Opened just five months ago, the “sacred space” for jazz has plugged a lot of gaps for S.F.-connected musicians.

This new telling of The Tempest from composer Allen Shearer and librettist Claudia Stevens premieres March 25 at Herbst Theatre.

It’s an idiosyncratic but serious recording project, perfect for the iconoclastic player.

The ensemble joins with Avie Records in an ambitious project.

A multimedia performance and conversation at the Ebell Club honors the memory of the great dancer, who died in 2018.

The new chamber opera about prophecy and instability is the climax of the artist’s yearlong residency at UC Berkeley.