San Francisco

Photographer Richard Misrach talks about how his collaboration with King and LINES Ballet came about.

It’s a modern-day Rhapsody in Blue, the perfect recording project for the superstar pianist and Abrams’s Louisville Orchestra.

The company’s Digital Shorts, still available for viewing, brought together major-name creatives to invent 10-minute operatic films.

The Bay Area ensemble for disabled, nondisabled, and neurodivergent dancers has a list of achievements in the past year to celebrate.

As wonderfully as Giacomo Puccini’s opera has been served in the studio, this Warner Classics release is up there with the best.

The veteran broadcaster chats with SFCV about his new podcast project, which explores the Black experience in classical music.

The newly minted Grammy Award winner delivers a remarkably polished set at The Soraya.

With James Conlon conducting a sensitive account of the score, and a fine cast to boot, there is no mystery to the success of this production.

The Beyond Bollywood exhibition at the Asian Art Museum will stir emotions as well as tell stories.

Allen Shearer and Claudia Stevens’s operatic take on The Tempest succeeds most in musical moments that depart entirely from the original.