Paul Taylor’s dances are as timeless and moving as ever at the YBCA.
The second weekend of the LA Phil’s exploration of Weimar culture was capped by two of Bertolt Brecht and Kurt Weill’s memorable collaborations.
The keyboard virtuosos know how to thrill and chill, but also how to connect intimately with their rapt listeners.
The Spanish pianist debuts his new album at Red Poppy Art House.
The Ariel Quartet plays two of the warhorses in the repertoire, in concert at Kohl Mansion.
Film composer Aaron Zigman’s Tango Manos is the highlight of this festive valentine of a concert.
It’s an all-out production, and singers and orchestra shine.
The dancing is admirable, but the ideas don’t pay off in Trey McIntyre’s new piece.
It’s all bright on the surface, but Mark Morris’s sprightly play on perky, mid-century musical tropes has a darker side, too.
The power trio braids strands of music, history, sociology, and culture into a spiritual whole that transcends easy categories.
