Reviews

Everything came together beautifully in the finale of Thursday’s concert by the New Century Chamber Orchestra at St. John’s Presbyterian Church in Berkeley, and it was Paul Hindemith’s strikingly original concerto for piano and strings, The Four Temperaments, that was the catalyst.

Rarely do audiences anywhere get the chance to hear any full-scale choral-orchestral works other than the Messiah, which tyrannically monopolizes the Christmas season. So last Thursday’s performance of Mendelssohn’s masterful oratorio Elijah, with the inestimable strengths of conductor Herbert Blomstedt, formed the high point of at least my season.

The casinolike Paramount Theatre in downtown Oakland is an architectural marvel. Its Art Deco interior, if not beautiful or elegant, is bold and stunning. The opposite was true of the music at the Oakland East Bay Symphony’s concert on Friday night — it was mostly beautiful and elegant, but not bold and stunning.