Sheku Kanneh-Mason makes his SF Symphony debut in Shostakovich’s Cello Concerto No. 1.
Played simultaneously on a rotating turntable, the double production invites speculation on power relations and much more.
In a program of concertos and showpiece arias, VoM has two powerhouse soloists in violinist Augusta McKay Lodge and soprano Amanda Forsythe.
Lisa Mezzacappa and Beth Lisick’s The Electronic Lover captures the world of emotions that can exist in the chat room.
Under the baton of Esa-Pekka Salonen, the orchestra stages Ma mère l’Oye and Erwartung with stellar collaborators.
Beth Morrison Projects commissioned 14 composers to work on this operatic setting of Marie Howe’s book of poems about womanhood.
The sounds of wind and sea surge in Cerrone’s latest piece for the Boston-based Lorelei Ensemble.
Kate Soper’s “philosophy-opera” gets an outstanding production from director James Darrah and Long Beach Opera.
The Finnish composer’s late masterpiece, about a school shooting and its enduring effects, premieres at SF Opera.
Hear how composer Paul Moravec and librettist Mark Campbell approached the adaptation in a new recording from Lyric Opera of Kansas City.
