Yefim Bronfman is the featured soloist for the unusual piano concerto, co-commissioned by the San Francisco Symphony
Dubai’s emerging Opera District prompts The Economist to ponder the boom in new opera houses in surprising locales.
Attendees at the League of American Orchestras’ annual conference wrestle with existential issues of relevance, engagement, and fun.
It may have a hard time breaking through the noise, but Cinnabar Theater hosts a vibrant, varied series of performances, which this month includes Mozart’s Magic Flute.
The steamy Broadway revival will transform the Golden Gate Theater into a decadent Weimar nightclub.
Jointly commissioned by four companies, the new opera explores America’s adventurous spirit.
Participants in the Hart Institute for Women Conductors at The Dallas Opera cite discrimination and limited opportunities as top challenges.
The Toronto Symphony Orchestra’s graphic listening guides shepherd listeners through complex musical scores with symbols and keys.
Rolling Stone magazine chats with the toast of Broadway about his groundbreaking play, politics, and music.
Please excuse the occasional interruptions while we are building new improvements in the back end of the SFCV website.
