The pioneering flutist and SF Symphony collaborative partner makes a masterpiece out of Marcos Balter’s imaginative work.
The music of Billy Childs, Gabriella Smith, and Steven Mackey interprets the threat to California’s oldest living things.
But those works are just an anchor for a festival that will embrace everything from the Baroque to the 21st century this season.
Music Director James Conlon devises a citywide celebration of the composer ahead of LA Opera’s production of Pelléas and Mélisande.
Classical insiders, like conductor JoAnn Falletta, have major issues with the film’s veracity, but they’re still fascinated.
