The mostly American program provided a fine platform for four emerging opera talents.
The tenor is a perfect match for Tyshawn Sorey's song cycle about the experiences and aspirations of black men in America.
A magical-realism novella becomes a worthy Stewart Copeland opera.
Great singing and comic staging bring out the best in Bellini's 1831 tale of a sleepwalking innocent.
Joffrey Ballet collaborates with L.A. Opera in John Neumeier's fanfic reimagining of the myth's central relationships.
The L.A. Philharmonic's production of Andrew Norman's opera for children is a joy.
The Mozart of the Champs-Élysées proves a match for G&S in Pocket's witty, well-sung production.
Cyril Deaconoff’s The Last Tycoon is the standout in an evening of exciting excerpts that left listeners wanting more.
Lemon Bucket Orkestra’s “Guerilla Folk Opera” isn’t a passive experience.
Exquisite singing, music, and staging coalesce to fulfill Beethoven’s vision of liberation and triumph.
