A boldly directed vision of Richard Strauss’s biggest hit reframes the opera.
L.A. Opera’s Don Carlo proves that Plácido Domingo is forever young.
The L.A. Master Chorale’s music director seems to be involved in every choral concert and opera in town.
The local company gives an unpretentious but rousing production of the staple double bill.
A great soprano in a part that calls upon all her acting and singing resources.
The two great verismo classics are seen in tenor José Cura’s production, set in modern-day Buenos Aires.
The singer brings her acclaimed portrayal of Queen Elizabeth I to San Francisco Opera in Roberto Devereux.
This one-off concert production merits laurels for everyone involved.
The future of opera is in very good hands with the latest class of wildly talented Merolini.
West Edge Opera continues to delve into challenging contemporary works with this West-Coast premiere.
