New Music

Michelle Dulak Thomson - February 15, 2012

The Afiara String Quartet balances a lively interest in new works with deep insight into core classical repertoire.

Be'eri Moalem - August 22, 2011

Carmel’s new Days and Nights Festival embraces the idea of repetition, with brilliantly played works by founder Philip Glass, Schubert, and Shostakovich

Michael Zwiebach - August 16, 2011

Philip Glass has got a pick-up band of all stars ready for his inaugural Days and Nights Festival in Carmel Valley. The first weekend features Glass' compositions paired with works by Franz Schubert and Dmitri Shostakovich. Personally, if forced to pick one, I'd opt for Saturday night at Hidden Valley, with Glass' String Quartet No. 5 paired with Schubert's evergreen Piano Trio in B-Flat, D. 898.

Benjamin Frandzel - August 16, 2011

Cabrillo wraps up its season with new works that surprise, delight, and sometimes frustrate.

Michael Zwiebach - July 5, 2011

If you like the breath of fresh air provided by Pamela and Amy X Neuburg, then you'll want to check in to the Room at the Royce Gallery to hear Los Angeles' Robin Cox Ensemble.

Michael Zwiebach - June 28, 2011

Ever wanted to hear the sounds of Alaskan wildlife presented in the context of live, contemporary music? Of course you have.

Matthew Cmiel - March 4, 2011

The San Francisco Contemporary Music Players ensemble continues to evolve and explore new music, as evidenced by its Monday concert that displayed rich variety.

Jessica Balik - March 9, 2009
Who is László Klangfarben, and what is a Schick Machine? Those were the two burning questions on the minds of audience and protagonist alike during Schick Machine, a theatrical and musical work commissioned by Stanford Lively Arts and premiered Saturday evening at Stanford’s Dinkelspiel Auditorium.
Lisa Petrie - March 3, 2009
Ryan Broen (bottom,
Jeff Anderle (left),
Jeff Dunn - March 3, 2009

“Things Fall From the Sky” was the theme of Monday’s concert, yet nary a clunker of a composition felled the good spirits of San Francisco Contemporary Music Players attendees. A refreshing eclecticism replaced SFCMP’s usual emphasis on neomodernist and spectralist genres.