Shape-note singing, the sounds of an artificial-intelligence “baby,” and bone-rattling bass shake the rafters.
Sarah Cahill and Regina Myers offer a recital of works themed around social justice, some subtle, some not so subtle.
Terry Riley, Laurie Anderson, and John Zorn improvise their way to new musical horizons.
A sense of coming together and the power of the collective underline the quartet’s fifth annual festival.
The composer talks about the upcoming Fluxus Festival and “Noon to Midnight” music marathons.
