In a rock-solid performance by the Ensemble intercontemporain, a new musical score does everything that the 1924 film could not even imagine.
The opera’s latest revision, unveiled by Adams, the LA Phil, and the original cast, makes a strong case for the work.
Calm, peaceful works by the Ukrainian composer contrast with the Sturm und Drang of Mozart’s D-Minor Piano Concerto at The Soraya.
The Chicago quartet is in its element with a program of recent works written expressly for the group.
The singer traverses an astonishing thematic, emotional, and temporal range in just 90 minutes.
Jörg Widmann’s eerily beautiful Violin Concerto is the perfect complement to this concert led by guest conductor Robin Ticciati.
Now a decade old, Prototype continues to introduce work that will soon reach audiences everywhere, like a winning double bill from Emma O’Halloran.
SFCV chats with a leading figure in new music, who wraps up his tenure with the famed Ensemble intercontemporain this season.
