Choral

Composer Amy Beth Kirsten has provided Volti with the right kind of challenge: one that takes the audience on an electrifying journey.

The chorus joined the early music ensemble in honoring 17th-century female composers.

Cal Bach Society celebrated the opening of its 45th season with a fine performance of Jan Dismas Zelenka’s Missa Votiva.

The a cappella vocal quartet take a final turn through the repertory they did so much to reanimate.

The Bay Area Russian choral ensemble more than doubles in size for weekend performances of the timeless masterpiece.

St. Ignatius Church, overlooking the Pacific Ocean and San Francisco Bay on Lone Mountain, was the perfect spot for the San Francisco Choral Society’s performance of the Mozart Requiem.

New arrangements refresh Wagner’s Wesendonck Lieder and Mahler’s Rückert-Lieder.

In a far-ranging program that covered music from the 1400s to the present, the violinist accompanied the ensemble on five pieces as part of a new program called SFCA+1.

Beethoven’s Mass becomes a staged multi-media experience, complete with light show and wandering soloists.

Volti’s Pandora’s Gift, performed with the Piedmont East Bay Children’s Choir, leaves a lasting visual impression.