It wouldn’t be the first time in the orchestra’s history that contract negotiations disrupted an overseas trip.
Music Director James Conlon devises a citywide celebration of the composer ahead of LA Opera’s production of Pelléas and Mélisande.
Classical insiders, like conductor JoAnn Falletta, have major issues with the film’s veracity, but they’re still fascinated.
A DVD of the new ballet shows its onstage brilliance in addition to being a great score.
Pierre-Laurent Aimard is back for a polished solo turn in Béla Bartók’s Second Piano Concerto.
Music Director James Conlon’s signature initiative branches out next season to include a production of William Grant Still’s Highway 1, U.S.A.
