Despite four delightful, beautifully performed works, the program left the listener wanting more.
Murat Eyuboglu’s genre-melding project comes up short, but Roomful of Teeth, Glenn Kotche, and Jeffrey Zeigler deliver some high points.
Murat Eyuboglu’s film, set to a live-performed score, brings environmental issues “upstream.”
Arcadiana and The Four Quarters hold their own in the ultimate comparison — with Beethoven.
Composer Aaron Gervais pairs intriguing guitar music with expressive dancers to explore a culture steeped in pharmaceuticals.
Composer Lucie Vítková stretches sonic boundaries to expose the essence of music-making.
The Icelandic quartet plays brand-new music on Baroque-period instruments.
Guest soloists and dancers join the orchestra and chorale for a fully-staged presentation of Rameau’s opera-ballet Le Temple de la Gloire.
Both polished performers shone, but not always at the same time.
The peerless ensemble illuminates quartets of Ravel, Berg, and Debussy.