The new opera may not be aggressively attention-grabbing, but it is rich, evocative, and deeply felt.
Composer Daniel Bernard Roumain and spoken-word artist Marc Bamuthi Joseph join forces for a powerful music-theater piece.
The Alliance of Black Orchestral Percussionists aims to redress historical imbalances and further integrate America’s orchestras.
Jones is directing this highly collaborative production that combines the work of seven choreographers, landing at The Ford later this week.
The company is betting on Bulrusher, Eisa Davis’s Pulitzer Prize-nominated play as set by composer Nathaniel Stookey.
Grant draws on years of musical mastery in his exploration of the ensemble that pioneered jazz-classical fusion.
Arranger and bandleader John Clayton has completed the score for The Africa Suite using unfinished recordings from Peterson’s “vault.”
Thomas is set to premiere Fire and Blue Sky, a song cycle written for him by composer Joel Thompson and poet Imani Tolliver.
Choreographer Joanna Haigood’s immersive new work will open up a public space.
Pratt is spending more time in the Bay Area, teaching at SFCM and soloing with ensembles like New Century Chamber Orchestra.
