Steven Winn

A harrowing performance of the final duet of Eugene Onegin made this gala far more than a parade of star turns.

The Conservatory’s “by the Brook” Carmen was a vital emotional experience.

Pageantry there is, but the S.F. Opera’s production of Wagner’s Meistersinger von Nürnberg reveals the small, human moments that make this comedy timeless.

The Greek violinist joined the S.F. Symphony for an all-Sibelius segment of the program, which also included Schumann’s Symphony No. 3.

It was the lesser-known of three piano quintets that shone in an inspired performance.

S.F. Opera’s brings Japanese artist Jun Kaneko’s reimagining of the Mozart classic back for a 10-performance run.

The a cappella vocal quartet take a final turn through the repertory they did so much to reanimate.

Guest conductor Mälkki led the symphony through a program of Mussorgsky, Shostakovich, and Prokofiev.

Nicholas McGegan and the orchestra resuscitate Alessandro Scarlatti’s often forgotten work with help from an impressive group of singers.

A cabaret evening of Kate Smith songs created by mezzo-soprano Stephanie Blythe.