Michael Zwiebach

Michael Zwiebach is the senior editor/content manager for SFCV. He assigns all articles and content, manages the writing staff, and does editing. A member of SFCV from the beginning, Michael holds a Ph.D. in music history from the University of California, Berkeley.

Articles By This Author

Michael Zwiebach - February 2, 2010

Opera San José opens its production of Mozart's The Marriage of Figaro this weekend. Relying on young singers has proved to be a winning formula for this company, especially when they're able to pick up hot talents like Khori Dastoor, who sings Susanna in the first cast, and Daniel Cilli (Almaviva in the second cast).

Michael Zwiebach - February 2, 2010

There are far too many events at the San Francisco Conservatory to mention on SFCV, even if we restricted ourselves to the free ones. But when they do an entire opera for free, there's reason to open a space on your calendar to see it. The performances may not be in the elite professional category, but they're close enough that you won't mind, especially when all you have to pay for is a coffee at intermission.

Michael Zwiebach - February 2, 2010

The New Esterházy Quartet has just finished a busy two-and-a-half year traversal of the complete quartets of Joseph Haydn. But that doesn't mean that this HIP (as in “historically informed performance”) group is resting on its laurels.

Michael Zwiebach - February 1, 2010
The Bay Area is blessed with a cornucopia of chamber music series, most of which seem to be invisible to all but the most serious classical fans.
Michael Zwiebach - January 19, 2010
In our childhoods we all internalize the decimal system and its powers of 10. This is probably why we fetishize the ends of centuries and decades as important stock-taking moments. Not to be left out, SFCV will bring you a few end-of-decade musings over the next few months.
Michael Zwiebach - January 13, 2010

Jazz pianist Taylor Eigsti has made a name for himself with his own music, and is well-known to Bay Area jazz lovers. Peninsula Symphony subscribers heard him with the orchestra two years ago, and now have the chance to meet him again, as he and Mitchell Sardou Klein's orchestra tackle three great Gershwin scores: Rhapsody in Blue, Cuban Overture, and Porgy and Bess Symphonic Suite.

Michael Zwiebach - January 13, 2010

The oboe is not the easiest instrument to play under the best of circumstances. So deciding to play Baroque and classical oboes, the less-techologically advantaged forerunners of the modern instrument might seem like a recipe for frustration akin to attempting to surf the internet with a 1980s-era personal computer.

Michael Zwiebach - January 13, 2010

Of the many big names in postwar modernist composition, György Ligeti stands out because his music retains the power to influence and inspire young musicians. The new music group sfSound acknowledges this status in their upcoming concert. Ligeti's glittering Chamber Concerto is the focal point, with a number of musicians from the Bay Area composing short works in response to it.

Michael Zwiebach - January 7, 2010
One of the best one-line put-downs of Romantic poetic excess comes from Gilbert and Sullivan’s Patience. “Do you yearn?” the poet Bunthorne asks the dairy maid. “I yearn my living,” she replies. Take that, aesthetes.

Patience is as funny as any of the other great G&S collaborations, but unlike the heavy hitters in the canon (The Mikado, H.M.S.

Michael Zwiebach - December 15, 2009

The holiday concert season climaxes this weekend, and the San Francisco Symphony is pulling out its last stops – literally. The Symphony Chorus and is enlisted for a “Choral Christmas Spectacular” that brings out the flavor in your holiday faves.