Jim Farber

Jim Farber wrote his first classical music review in 1982 for the Los Angeles Jewish Journal. Since then, he has been a feature writer and critic of classical music, opera, theater, and fine art for Daily Variety, the Copley Newspapers and News Service, and the Los Angeles Newspaper Group (Media News).

Articles By This Author

Patricia Kopatchinskaja’s Wild Tchaikovsky and an Unsuk Chin Premiere at LA Phil

Jim Farber - April 9, 2019

The violinist’s exuberant performance overshadowed the rest of the concert.

It’s “One fine day” for Pacific Opera Project’s Madama Butterfly

Jim Farber - April 8, 2019

POP’s striking new production features a bilingual libretto.

James Newton Howard’s Cello Concerto Showcases LACO’s Hollywood Connection

Jim Farber - March 25, 2019

Mozart sets the stage, with Jeffrey Kahane returning to the podium — and the piano.

John Adams, Yuja Wang, and the LA Phil Give the Devil His Due

Jim Farber - March 11, 2019

The premiere of Adams’s new piano concerto is devilish fun.

Mapplethorpe Reduced for a Post-Shock Era

Jim Farber - March 8, 2019

Bryce Dessner’s Triptych homogenizes the legacy of Robert Mapplethorpe.

L.A. Opera Dazzles With a Revival of La Clemenza di Tito

Jim Farber - March 5, 2019

James Conlon directs the company premiere of a Mozart masterpiece.

Artist Spotlight

Robert Mapplethorpe Inspires Bryce Dessner’s New Multimedia Opera

Jim Farber - February 26, 2019

The composer/guitarist’s Triptych (Eyes of One on Another) premieres with the LA Phil’s New Music Group.

L.A. Opera’s the loser Is a Winner

Jim Farber - February 25, 2019

Rod Gilfry takes an astonishing solo turn in the West Coast premiere of David Lang’s new opera.

’Til Death Do Us Part

Jim Farber - February 19, 2019

The L.A. Master Chorale parts The Sacred Veil.

Tan Dun’s Buddha Passion Is an Opera in Waiting

Jim Farber - February 12, 2019

The composer’s newest synthesis of East and West needs a visual component and some cutting.

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