Jason Victor Serinus

The two great verismo classics are seen in tenor José Cura’s production, set in modern-day Buenos Aires.

Here’s an operatic comedy that will leave you feeling good about humanity.

The first complete recording of the famous 1937 agit-prop opera is surprisingly timely.

Soprano Christine Brandes brought the fury and darkness, though the venue was unsuitable.

Anderson's Landfall is an unmissable work, created with Kronos, while countertenor Fagioli blows away the competition in Handel arias.

Gorgeous tones on period instruments meld beautifully with a strong chorus and powerful soloists.

Aspiring singers do justice to Benjamin Britten’s devastating opera.

The much-loved, much-seen show, with its opulent designs, opens the season with a lukewarm cast.

It would be a crime to miss this great cast in San Francisco Opera’s brilliant production.

The rave is in: Mason Bates’s first opera is a (re)sounding success, one that deserves permanent repertory status.