Emily Wilson

The gallery, founded for artists with developmental disabilities, hosts another inventive workshop this month, led by composer Matt Robidoux.

Red Culebra’s performance blends Indigenous storytelling, electronics, dance, and animation, but the audience also has work to do.

Checking in with Tim Yip on his inspirations for the opera’s lavish set and costume design.

The famed choreographer unveils a new collaborative work at YBCA May 13–22. It’s another opportunity for seeking truth, he says.

The likes of Terry Riley, Roscoe Mitchell, John Bischoff, and more will perform in a four-day festival celebrating the college’s final months.

After nearly 50 years, the quartet still has new things to say. The festival April 7–9 spans its ever-expanding repertory.

In the heralded oratorio Place, composer Ted Hearne and poet Saul Williams seek to unpack history and personal experience.

The musical ambassador talks about the challenges of playing the pipa, communicating through music, and her special bond with Lou Harrison.

The dynamic dancer/choreographer/educator brings her company to the Hammer Theatre Feb. 4.

The San Mateo company made a name for itself with a hip-hop rendition of Nutcracker. Its 21st-century takes on Guys and Dolls and Cinderella premiere this spring.