Reviews

Jules Langert - October 21, 2008
This year, Composers Inc. marks its 25th anniversary as an active, vital musical presence in the San Francisco Bay Area. Over the years, its loyal, supportive audiences have been grateful for the broadly eclectic programming and consistently high level of performances they have heard. Although a listener might not always agree with their choice of music, Composers Inc.
Joseph Sargent - October 21, 2008
If you're one of those Bach devotees who can quote Brandenburg Concerto themes or name all the movements of an orchestral suite, Philharmonia Baroque's new twist on several orchestral classics might be just up your alley.
Jonathan Wilkes - October 21, 2008
Since I'm reviewing a concert with an overt (and laudable) political theme — BluePrint's Saturday evening concert at the San Francisco Conservatory, titled "The Urgency of Now ..." — I think it appropriate to ask a decidedly political but often ignored question: Why make a distinction between students and professionals in a concert program? For example, the most memorable moments of Andrew Imbrie'
Jaime Robles - October 21, 2008
Sunday's gray skies and icy wind marked the planet's tilt toward winter but, inside San Francisco's Temple Emanu-El, the Bay Area's first "Chamber Music Day—Live + Free" created an oasis of warmth as 16 local chamber groups performed for those who were brave — and wise — enough to venture out in the cold. The day was bountiful in sound, and the audience was treated to a diverse and expansive serie
John Lutterman - October 21, 2008
There was a last-minute alteration to the program that the Tokyo String Quartet, under the auspices of San Francisco Performances, presented at Herbst Theatre on Thursday, and for the saddest of reasons: Violist Kazuhide Isomura, the single remaining founding member of the group, had been diagnosed with a detached retina earlier in the day.
Jaime Robles - October 21, 2008
When the curtain opened at Zellerbach Auditorium on Wednesday night, the painted backdrop revealed stone archways through which we could see blurs of forest green and brick red, and, centrally, a pathway leading to a vaguely shaped castle in the distance.
Jeff Dunn - October 14, 2008

If an often-played masterpiece is a warhorse, what is its opposite? I had just written about the benefits of unusual programming in the pastures of Arizona when, lo and behold, not one but three peacehorses galloped into the San Francisco Symphony’s Davies Hall, two of them bridled by überpianist Emanuel Ax, and a third paraded magnificently by guest conductor Peter Oundjian.

Georgia Rowe - October 14, 2008

Choral concerts organized around a single figure can make for a bland evening if not programmed with restraint and consummate care. But the Artists’ Vocal Ensemble (AVE) made Saint Francis of Assisi the focus of a thoughtful, artfully structured, and surprisingly varied concert in two performances over the weekend.

Michelle Dulak Thomson - October 14, 2008

There was half an hour to go before the concert, but if you happened to be standing outside St. Mark's Lutheran Church in San Francisco at 3:30 on Saturday you could hear them. Just a few highly trained people, a few feet apart, yet formidably strong and utterly fearless — powering through their chosen medium at alarming speed and with frightening precision ...

David Bratman - October 14, 2008
I confess that I had not heard of the Santa Cruz Chamber Orchestra until I learned of the concert with which it opened its third season on Saturday. But it was a honey of a program that I wouldn't have missed for anything.