Reviews

Michelle Dulak Thomson - March 10, 2009

The seventh season of the San Francisco Conservatory's BluePrint Project had a deliberate political cast to it.

Jeff Dunn - March 9, 2009
Valentine's day is past, and the bloom is off the rose. Thirty years past my first deep acquaintance with Brahms and Dvořák, after repeatedly relishing in their many sublime creations, and enjoying flings with even the least of their compositions, my Don Juan for them is waning.

Until now.

Heuwell Tircuit - March 9, 2009
Although the music of Olivier Messiaen is extremely popular these days, his songs are rarely encountered in live performance. Little wonder, for they're so overly demanding. Dramatic soprano Heidi Melton and pianist John Parr took on the major beast of the field, his largest cycle, Harawi, Sunday afternoon in Old First Church, and pulled off a triumph.
Jessica Balik - March 9, 2009
Who is László Klangfarben, and what is a Schick Machine? Those were the two burning questions on the minds of audience and protagonist alike during Schick Machine, a theatrical and musical work commissioned by Stanford Lively Arts and premiered Saturday evening at Stanford’s Dinkelspiel Auditorium.
Jason Victor Serinus - March 9, 2009
How many tenors who hail from New Zealand can put across the Neapolitan songs of Francesco Paolo Tosti as if born and raised in southern Italy? James Benjamin Rodgers can.
Janos Gereben - March 6, 2009
Recession be damned: for the second week, new, complex, "heavy" music and Ravel have filled the 2,743-seat Davies Symphony Hall.
Scott Cmiel - March 3, 2009

The Spanish guitarist Margarita Escarpa offered a recital notable for finely wrought emotion, beautiful sound, and flawless technique on Saturday at the Green Room of San Francisco’s War Memorical Veterans Building.

Anna Carol Dudley - March 3, 2009

Berkeley Opera’s performance of The Tales of Hoffmann, which opened Saturday at the Julia Morgan Center, is a resounding success.

Georgia Rowe - March 3, 2009

The American song repertoire is often an afterthought for recital singers, but soprano Nicole Cabell made it the centerpiece of her program Sunday afternoon at Hertz Hall on the UC Berkeley campus. It was a wise choice, one that showed the young artist’s voice to better advantage than the more traditional repertoire that comprised the balance of the program.

Jason Victor Serinus - March 3, 2009

For an orchestra that devotes a full third of its budget to youth outreach and music education, the Oakland East Bay Symphony’s “Celebrating Youth” concert was a major event. The culmination of decades of outreach to youth in the most challenged neighborhoods of Oakland and Livermore, the concert displayed the extraordinary level of musical excellence that youth can achieve when given opportunities for musical expression.