In a rock-solid performance by the Ensemble intercontemporain, a new musical score does everything that the 1924 film could not even imagine.
The opera’s latest revision, unveiled by Adams, the LA Phil, and the original cast, makes a strong case for the work.
Calm, peaceful works by the Ukrainian composer contrast with the Sturm und Drang of Mozart’s D-Minor Piano Concerto at The Soraya.
The Chicago quartet is in its element with a program of recent works written expressly for the group.
Orchestra and music director were united in splendid interpretations of Beethoven and Mussorgsky/Ravel.
Putting classic Golden Age film scores next to the composer’s Symphony No. 2 shows what was borrowed and what was missed.
Resurrected by determined advocates like Cox, William Levi Dawson’s symphony is definitely repertory-worthy.
Britten’s chamber opera is brilliantly performed by students in the Domingo-Colburn-Stein Young Artist Program.
The singer traverses an astonishing thematic, emotional, and temporal range in just 90 minutes.
Jörg Widmann’s eerily beautiful Violin Concerto is the perfect complement to this concert led by guest conductor Robin Ticciati.
