In a rare Bay Area appearance, the Royal Danish Ballet performs La Sylphide, a template of tragedy in the ballet canon: woman idealized, then destroyed.
Despite some regrettable directorial and production choices, S.F. Opera’s Siegfried still delivers strong characters that are very well sung, backed by first-class playing from the orchestra pit.
In a stark production strong on violence and collapse, the San Francisco Opera delivers a powerful Siegfried distinguished by a superb Brünnhilde, Mime, and Forest Bird.