Errollyn Wallen’s new opera, given its American premiere by Philharmonia Baroque Orchestra, extends Purcell’s Dido and Aeneas.
The veteran player continues to tap into the unique variety that the Bay Area jazz scene has to offer.
Derrick Wang’s funny, sharply observed one-act pairs well with Gilbert and Sullivan’s Trial by Jury.
This tour of Latin American folk styles makes an impression, along with a cool reading of Brahms’s Second Symphony.
The Soviet composer’s conflicted legacy reaches astonishing highs and lows in this concluding CD set from the orchestra and Andris Nelsons.
In a live screening, Wu Tsang’s project benefits from a score by Caroline Shaw, Andrew Yee, and Asma Maroof.
The everyday magic of Tokyo inspired Stone’s new multimedia work Re:gendo.
A captivating take on Jean-Philippe Rameau’s Suite in A Minor opens the pianist’s recital and is the key to appreciating the entire program.
Artistic Director Harry Bicket leads a starry cast in a performance that would have any Baroque operagoer clamoring for more.
The company’s new production is a delight and very well cast.
