Reviews

Niels Swinkels - October 9, 2012

Starting to settle into its beautiful new hall, with its superb acoustics, the Santa Rosa Symphony launches its current season with high hopes and fine playing.

David Bratman - October 9, 2012

The always-intriguing Ives Quartet plays a quirky Cowell work, an emotionally gritty Smetana, and an ethereal Haydn.

Jeff Dunn - October 8, 2012

Bohemians in Paris populate Livermore Valley Opera’s lively, well-sung production of the Puccini classic.

Jason Victor Serinus - October 7, 2012

In their concert British tenor Mark Padmore and American pianist Jonathan Biss fused words and music in a supreme partnership that conveyed emotions with transcendent, eye-opening profundity.

Jeff Dunn - October 6, 2012

Paul Dresher’s invention, the quadrachord, posed unanswered questions in a concerto that showed off the composer’s considerable gifts.

David Bratman - October 6, 2012

Performance, conducting, and solos impress at the San Francisco Symphony in a program that was intricate, complex, and pulled-off with elegance.

Janice Berman - October 6, 2012

Launching its season with terrific dancers and successful explorations of new repertory, Smuin Ballet appears poised to climb to a higher level in the regional ballet firmament.

Michelle Dulak Thomson - October 5, 2012

Dipping into later-than-real-Baroque territory, Philharmonia Baroque clearly loves to perform Brahms Serenades, which it plays as if living in the style of his era.

Georgia Rowe - October 5, 2012

Philharmonia Baroque essays Henry Purcell’s rarely performed Dioclesian, a semi-opera chockful of stories of love, lust, and politics, all dressed in splendid music.

Be'eri Moalem - October 3, 2012

The Cypress Quartet embraces music that’s both beautiful and original, in new and recent works that respond to classic composers.