Reviews

So unerring in the selections on Rodgers & Hammerstein At the Movies, the John Wilson Orchestra’s new disc, you will likely enjoy yourself immensely and maybe even swoon.

Santos, the new oratorio by Gabriela Lena Frank for the San Francisco Girls Chorus and the Berkeley Symphony, shows a composer reaching the height of her considerable powers.

The Marin Symphony, with pianist Joyce Yang, provides an illuminating session of compare-and-contrast of Debussy’s La Mer, along with some delicious Ravel.

There was a lot of excitement at the San Francisco Symphony Saturday night. But even by this orchestra’s high standards, this was a thrilling, surprising — and even alarming — night.

Whether singing sacred or secular works, American Bach Soloists always deliver quality to the max.

San Francisco Ballet’s new Cinderella, which had its U.S. premiere Friday night with a cast headed by Maria Kochetkova in the title role, is magic.

Michael Tilson Thomas began a two-week “Beethoven Project” with his S.F. Symphony, appropriately enough, with a concert of early Beethoven.

The Paul Taylor Dance Company chose a dry and difficult path to open its five-day San Francisco Performances engagement Wednesday.

A new release by composer Gordon Getty offers terse, melodic, and simplistic piano music that at times evinces a subtle sophistication.

The recital by Austrian pianist, Till Fellner Monday evening at Herbst was a study in importance of counterpoints.