With an emphasis on women creators, New York's Prototype Festival challenges stereotypes but also delivers powerful music theater.
The New York vocal octet brought Caroline Shaw's Pulitzer-winning Partita and a set of edgy, shorter works to the Twelfth Night Festival.
Usually hidden in the pit, S.F. Opera Orchestra musicians took center stage at Music at Kohl Mansion, and played a beautiful and intriguing concert.
The violinist's bravura playing dominated the concert, but it was Copland who triumphed, musically.
Branford Marsalis as you’ve never heard him before, on solo saxophone, in a ranging program of styles, in the cavernous, holy confines of Grace Cathedral.
With Artistic Director Magen Solomon as tour guide, the S.F. Choral Artists took their audiences on an unusual holiday trip around the world.
At the Center for New Music the duo display remarkable attunement and intoxicating command, drawing the audience into a state of utter wonder.
With a wonderful performances by principals, notably Mathilde Froustey, and a wonderful set design, The Nutcracker is a holiday delight.
The San Francisco Symphonyʼs new performance space made its public debut with a satisfying, wide-ranging concert, that demonstrated its possibilities.
A pianist and cellist with a natural affinity perform music from the 20th century.
