Reviews

The four-and-a-half-hour marathon had everything except the composer himself.

Nuances of the performance were lost to the unforgiving acoustics of the Rodin Gallery at the Palace of the Legion of Honor, but the musicians’ camaraderie shone through.

New arrangements refresh Wagner’s Wesendonck Lieder and Mahler’s Rückert-Lieder.

In a far-ranging program that covered music from the 1400s to the present, the violinist accompanied the ensemble on five pieces as part of a new program called SFCA+1.

Mozart's brilliant opera provided needed comic relief at the War Memorial Opera House.

Beethoven’s Mass becomes a staged multi-media experience, complete with light show and wandering soloists.

The premiere of Marco Tutino's new opera delivered neo-Puccini without the punch or musical power.

Dog Days takes Los Angeles Opera into the heart of post-apocalyptic darkness.

The trio, adjusting to a personnel change for the performance, brought interpretative daring to a performance of Beethoven trios.

Berlioz’s grandest of grand operas makes it to the War Memorial Opera House in a production that scores points on every level.