Bach’s orchestral suites, masterfully interpreted.
The trio bends but doesn’t break jazz tradition, carrying on the legacy of Ornette Coleman, Eric Dolphy, and Coltrane.
Diverse programming and relaxed etiquette make an enjoyable experience.
A poorly-coordinated performance of Terry Riley’s In C caps off the evening.
Two musicians from the Brooklyn Art Song Society perform new works by UC Davis composers and poets.
Stéphane Denève leads a compelling performance, and Gautier Capuçon is the soloist.
The oratorio comes together with excellent soloists and choral contributions.
Composer Martin Matalon’s score for a 1919 silent film comedy isn’t meant as underscoring, and that’s part of the problem.
A band dedicated to the legacy of the under-recognized jazz great Mary Lou Williams delivers showstoppers with ease.
A fascinating concert of seldom-heard music reflects on the Europe of a century ago.
