Reviews

David Bratman - January 22, 2019

Jon Kimura Parker makes light work of a challenging Brahms piano concerto.

Lisa Hirsch - January 22, 2019

Works by living composers reveal the composer’s ongoing influence.

Janice Berman - January 21, 2019

Third Coast Percussion proves a quirky, perfectly apt foil for the supple dancers.

Ilana Walder-Biesanz - January 21, 2019

Mark Adamo’s score and libretto capture the simplicity and charm of Louisa May Alcott’s classic novel.

Rebecca Wishnia - January 21, 2019

Salonen’s approach was particularly apt on a new work from Anna Thorvaldsdottir.

Jim Farber - January 21, 2019

The massive symphony, with soloist Jean-Yves Thibaudet, was set off by Kaija Saariaho’s precise Trans.

Brin Solomon - January 18, 2019

Soprano Julia Bullock’s revelatory one-woman show blazes with insight and emotion, and the soprano’s own power.

Ben Kutner - January 18, 2019

Vicki Ray and Carole Kim manipulate time in Los Angeles.

Tamzin Elliott - January 17, 2019

At Monday Evening Concerts, music by Julius Eastman and Sarah Hennies makes an interesting pairing.

Richard S. Ginell - January 17, 2019

Despite the title, “The Edge of Jazz” plays more to the concert hall than to the swinging bandstand.