Jon Kimura Parker makes light work of a challenging Brahms piano concerto.
Works by living composers reveal the composer’s ongoing influence.
Third Coast Percussion proves a quirky, perfectly apt foil for the supple dancers.
Mark Adamo’s score and libretto capture the simplicity and charm of Louisa May Alcott’s classic novel.
Salonen’s approach was particularly apt on a new work from Anna Thorvaldsdottir.
The massive symphony, with soloist Jean-Yves Thibaudet, was set off by Kaija Saariaho’s precise Trans.
Soprano Julia Bullock’s revelatory one-woman show blazes with insight and emotion, and the soprano’s own power.
Vicki Ray and Carole Kim manipulate time in Los Angeles.
At Monday Evening Concerts, music by Julius Eastman and Sarah Hennies makes an interesting pairing.
Despite the title, “The Edge of Jazz” plays more to the concert hall than to the swinging bandstand.