Previews

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Orchestra of Fun

Michael Zwiebach - April 7, 2009
Benjamin Simon

San Francisco Chamber Orchestra concerts are always lively affairs.

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Carmen

Michael Zwiebach - April 7, 2009
Carmen

Few classical works are as recession-proof as Opera San José's next production, Georges Bizet's Carmen.

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Rossetti Piano Quartet

Michael Zwiebach - April 7, 2009
Rossetti Piano Quartet

Put three-quarters of a string quartet (violin, viola, cello) together with a piano and you have a grouping that has inspired some of the g

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FORMERLY is Present, Pointing to the Future

Janos Gereben - April 7, 2009
“My name is Dylan Mattingly, I’m 17 (though for only three more hours ...), and I, along with Preben Antonsen (also 17), run a local new music ensemble made up of kids our age which plays music written in our lifetimes,” said the irresistible e-mail.
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Krystian Zimerman

Catherine Getches - March 31, 2009
Krystian Zimerman

Polish pianist Krystian Zimerman is known for his technical polish, recently seen here

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Beautiful Tooth

Jeff Dunn - March 31, 2009
Bruno Ferrandis

Live performances of the vast catalog of symphonic music by Russian composer Nicolai Myaskovsky (1881-1950) occur with near-hen’s-tooth f

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Ear-Bending Sounds

David Bratman - March 30, 2009
Music from Eastern Europe, especially if it’s also from the earlier part of the 20th century, has a reputation for being rugged and rough-hewn, full of exotic sounds and hypnotic motifs over catchy rhythms. Sometimes that reputation is deserved.
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Bittersweet

Stephanie Friedman - March 30, 2009
The word “operetta” sounds like what it is: opera lite. The story may be tragic but the treatment will be light, if you can imagine that. You are not invited to dwell long in tragedy; neither are you permitted to escape from the sadness — not altogether.

It Takes Three

Lisa Petrie - March 30, 2009

While visiting artists often draw the crowds, many fine musicians live in the Bay Area and perform here on occasion.

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Call and Response

Be'eri Moalem - March 30, 2009
The Cypress Quartet is rethinking the traditional concept of concerts, in which the musicians play a piece typically written some 150 years ago, the audience listens and then claps their hands, the performers bow, and everyone goes home. The Cypress is turning that experience into a two-week project that involves the entire community.