Los Angeles

The group’s ambitious Doppelgänger project pairs the composer’s late chamber works with challenging new commissions.

The composer’s dark, often mocking orchestral work shares space with Brahms’s First Piano Concerto and Sibelius’s Symphony No. 3.

The company’s Digital Shorts, still available for viewing, brought together major-name creatives to invent 10-minute operatic films.

The local premiere of Reich/Richter highlights a concert celebrating the 86-year-old composer’s long productivity.

The Venezuelan conductor has been floated as a successor to Gustavo Dudamel, but right now he just wants to focus on his upcoming concerts with the LA Phil.

SFCV chats with one of the pioneers in American composition about how the “minimalist” label doesn’t do his movement justice.

The newly minted Grammy Award winner delivers a remarkably polished set at The Soraya.

The premiere of Esmail’s work about water and the environment makes a powerful impression alongside Gabriel Fauré’s Requiem.

With James Conlon conducting a sensitive account of the score, and a fine cast to boot, there is no mystery to the success of this production.

The U.S. premiere of Felipe Lara’s Double Concerto has the two players merging avant-garde sensibilities, with Susanna Mälkki conducting.