Dance

The San Francisco choreographer talks about the diverse traditions informing the new works in “Triple Take.”

Cellist Maya Beiser and dancer Wendy Whelan grapple with the tragedy of 9/11 in a Bay Area premiere.

What’s the point of pointe? Why toil with tulle? The earliest repertory ballets provide answers.

Paul Taylor’s dances are as timeless and moving as ever at the YBCA.

The innovative troupe cuts the ribbon for new facilities at the historic Corinthian Ballroom on Feb. 29.

Laura Elaine Ellis talks about the many ways the festival celebrates African-American ideas and creative expression through dance.

The dancing is admirable, but the ideas don’t pay off in Trey McIntyre’s new piece.

It’s all bright on the surface, but Mark Morris’s sprightly play on perky, mid-century musical tropes has a darker side, too.

The lauded choreographer wraps a year as artist-in-residence at Grace Cathedral with three powerful “offerings” danced in the church’s nave.

The collaborative, multidisciplinary work melds cutting-edge digital technology with human movement in real time.