New Yorker writer Alex Ross talks about the Golden Age of music and composing to "embrace the millions," whether or not there should be rules surrounding concert hall decorum, writing for music, and his respect for jazz.
Jon Nakamatsu is the epitome of “local boy makes good.” He burst on the international music scene in 1997 when he was named the Gold Medalist at the Tenth Van Cliburn International Piano Competition.
Last June, soprano Leah Crocetto won the first prize, Spanish Prize, and People’s Choice at the José Iturbi International Music Competition in Los Angeles. On March 14, she was one of five winners of the Metropolitan Opera National Council Auditions in New York City.
Known as a phenomenon both in his native country of Macedonia and increasingly around the globe, pianist Simon Trpčeski makes his third appearance with the San Francisco Symphony on April 1-3, performing the Grieg Piano Concerto in A Minor, Op. 16.
Cellist David Requiro lives in New York City, where he plays with the critically acclaimed Jupiter Symphony Chamber Players. The Oakland native has performed with numerous local orchestras, as well as the Tokyo Philharmonic, National Symphony Orchestra, and Symphony Pro Musica in Boston. He has debuted at Carnegie Hall and the Kennedy Center. This week, he joins his long-time collaborator, pianist Miles Graber, for a concert as part of the Noe Valley Chamber Music Series.
Ian Bostridge, who made his U.S. debut at Cal Performances in 1998, returns on March 21 for an afternoon recital. He’s known in musical worlds as one of the finer lieder tenors performing today. What may be less well-known is that he started out to have an academic career, earned a Ph.D. in history from Oxford University, and has become a published author and columnist.
American pianist Malcolm Bilson is a rare gem in the world of music. For nearly four decades he has been equal parts performer, scholar, educator, and a beacon in the period instrument movement.
Soprano Jessica Rivera first made her mark internationally when she created the character Kumudha in Peter Sellars’ production of John Adams’ opera A Flowering Tree. After repeating the role in the San Francisco Symphony’s Bay Area premiere, her success helped land her the role of Kitty Oppenheimer in the European debut of Sellars’ production of Adams’ Doctor Atomic.
